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News 2008

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Boris, from Monday on Fox the second season of the tv series that makes meta-television. Sermonti: "We make better the television"

| Realityshow.Blogosfere.it

Realityshow.Blogosfere.it - Article - Boris, from Monday on Fox the second season of the tv series that makes meta-television. Sermonti: "We make better the television" - Page 01 Realityshow.Blogosfere.it - Article - Boris, from Monday on Fox the second season of the tv series that makes meta-television. Sermonti: "We make better the television" - Page 02 Realityshow.Blogosfere.it - Article - Boris, from Monday on Fox the second season of the tv series that makes meta-television. Sermonti: "We make better the television" - Page 03

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Boris, da lunedì su Fox la seconda stagione del telefilm che fa meta-televisione. Sermonti: "Rendiamo migliore la tv"

Di Fabio Traversa | @ Fabio Traversa | domenica


Lo specchio ironico sul mondo della fiction italiana torna da lunedì (alle ) con la seconda serie del telefilm Boris (voto: 7), sul canale satellitare Fox (canale 110 di Sky). "Vogliamo raccontare i meccanismi di rassegnazione al brutto che rappresenta la media della fiction nostrana", dicono gli autori Giacomo Ciarrapico, Mattia Torre e Luca Vendruscolo.


Il serial, che narra le peripezie della fiction Gli occhi del cuore attraverso lo sguardo di Alessandro Tiberi, ha lo stesso cast: Sabina Guzzanti, Francesco Pannofino, Carolina Crescentini, Pietro Sermonti, Paolo Calabresi e le guest star Corrado Guzzanti, Giorgio Tirabassi e Margot Sikabonyi.


Racconta Pietro Sermonti a Qn: "Il quadro che esce dalla realtà di Boris è molto più vicino alla realtà di quanto si possa immaginare. Lo stesso personaggio di Stanis è estremamente reale e l'ho arricchito ispirandomi ad alcuni colleghi che ho incontrato negli anni e con i quali ho lavorato. I nomi? Neanche sotto tortura. Boris mette in luce vizi e virtù della tv. E questo è un modo per renderla migliore".



Giovanni De Stefano scrive su L'Opinione: "Boris, fiction di nicchia realizzata, racconta del continuo backstage di una fiction mainstream che non si realizzerà mai; delle interruzioni che la produzione deve subire quando una buona idea, ma troppo intelligente o poco 'comunicabile' (come direbbe un autore di Maria De Filippi, anche in intimità, a sua moglie), deve essere sedata nel silenzio; dei dubbi e dei dolori degli attori (che spesso improvvisano meravigliosamente, dote rarissima ai giorni nostri) sul procedere; le loro scaramucce sentimentali, che non possono mai fare a meno di avere delle ripercussioni sulla trama dell'opera che, del resto, non va avanti. La produzione, che è un personaggio a sua volta, tiene nel frattempo un blog, nella finzione e nella realtà, perché se ne parla come di una presenza nella narrazione televisiva, e inoltre esiste veramente, consultabile sempre all'indirizzo www.borisblog.tv. In quei post si narrano le disavventure di reali elettricisti alle prese con l'illuminazione del volto di Pietro Sermonti, il protagonista maschile, ardito sperimentatore televisivo, da quando ha rinunciato al successo facile del Medico in famiglia, e si è rifugiato dapprima nelle complicate sfere della terza età in tv (SuperSenior su Rai Tre) e poi in quelle erotiche di Radio Sex su Rosso Alice. O dei capricci che più talentuosa in senso stretto dei fratelli Guzzanti, Caterina (anche la più giovane e carina) deve eseguire quando non vuole interpretare il ruolo di un'interprete capricciosa. Meta-televisione pura, quella di questi personaggi in cerca di share. Per quanto Caterina sia di bella presenza, però, non manca la bellona tradizionale, che è fornita da Carolina Crescentini, lanciata dal seguito brutto del film Notte prima degli esami. Nonostante il pedigree artistico decisamente poco aristocratico, Carolina riesce bene ad amalgamarsi col resto del cast, tanto più tecnico e 'scafato' di lei. Anzi, sulla distanza risulta probabilmente quella che riesce a simulare meglio l'improvvisazione, caratteristica fondamentale all'interno dell'economia di Boris".

Boris, from Monday on Fox the second season of the tv series that makes meta-television. Sermonti: "We make better the television"

By Fabio Traversa | @ Fabio Traversa | Sunday,


The ironic mirror on the world of the italian drama returns from Monday (at ) with the second season of the tv series Boris (rating: 7), on the satellite channel Fox (channel 110 of Sky). "We want to tell the mechanisms of resignation to the bad that represents the average of the italian drama", say the authors Giacomo Ciarrapico, Mattia Torre and Luca Vendruscolo.


The series, which tells of the vicissitudes of the drama Gli occhi del cuore (The eyes of the heart) through the eyes of Alessandro Tiberi, has the same cast: Sabina Guzzanti, Francesco Pannofino, Carolina Crescentini, Pietro Sermonti, Paolo Calabresi and the guest stars Corrado Guzzanti, Giorgio Tirabassi and Margot Sikabonyi.


Pietro Sermonti says to Qn: "The picture that emerges from the reality of Boris is much closer to the reality than you can imagine. The same character of Stanis is very real and I have enriched it taking inspiration from some colleagues that I have met over the years and with whom I have worked. The names? Even under torture. Boris sheds light on the vices and virtues of the tv. And this is a way to make it better".



Giovanni De Stefano writes on L'Opinione: "Boris, successful drama of niche, tells about the continuous backstage of a mainstream drama that will never be realized; about the interruptions that the production has to suffer when a good idea, but too smart or just 'communicable' (as would say an author of Maria De Filippi, even in intimacy, to his wife), must be sedated in the silence; about the doubts and the sorrows of the actors (who often improvise beautifully, talent very rare nowadays) on the progress; their sentimental skirmishes, which can never fail to have some repercussions on the plot of the opera which, incidentally, doesn't go forward. The production, which is a character in its turn, keeps a blog in the meantime, in the pretense and in the reality, because it's spoken as a presence in the television narrative, and moreover it really exists, always available at the web address www.borisblog.tv. In those posts they tell the misadventures of the real electricians struggling with the illumination of the face of Pietro Sermonti, the male main character, brave televisive experimenter, since he renounced the easy success of Medico in famiglia (A Doctor in the Family - Original format: Médico de familia), and has taken refuge first in the complicated spheres of the third age on TV (SuperSenior on Rai Tre) and then in those erotic of Radio Sex on Rosso Alice. Or of the whims that most talented in the strict sense of the brothers Guzzanti, Caterina (even the most young and pretty) has to execute when she doesn't want to play the role of a capricious interpreter. Pure meta-television, that of these characters in search of share. As far Caterina is good looking, however, it doesn't miss the traditional belle, which is provided by Carolina Crescentini, launched by the bad following of the movie Notte prima degli esami (Night Before the Exams). Despite the artistic genealogy definitely a little aristocratic, Carolina manages well to blend with the rest of the cast, especially as technical and 'streetwise' of her. Indeed, on the distance she is probably the one that manages to simulate better the improvisation, fundamental characteristic within the economy of Boris".

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